Firefly(2015) by Matthew Charof

“Firefly” is a Bonnie and Clyde type short story. Remy meets a girl named Juliet. Both of them have a strange past. They decide to meet up and crash a barbecue. After a few drinks, things begin to change. Tension between the pair is evolving. While Remy is away, Juliet becomes violent and demonstrates that her character is not only mysterious, but disturbed, maniacal, and forcefully brutal. Juliet appears to be calm but proves otherwise, which leaves the audience wondering why she has attacked an unsuspecting woman and where does all of this anger come from.

vimeo.com/120503617 

For more info go to http://www.directorsnotes.com/2015/03/10/matthew-charof-firefly/

“Starfish Throwers” (2014)

Directed/Created by Jesse Roesler

“Powerful, direct and heartrending, The Starfish Throwers explores how three of the world’s most fiercely compassionate individuals struggle to restore hope to the hopeless in unexpected and sometimes dangerous ways. Continents apart, a sixth grader, a top chef and retired school teacher fight what seems an unwinnable war until they discover their impact may reach further than their action.” –imdb

This documentary is about 3 amazing philanthropists:

Narayanan Krishnan– Akshaya Trust

Allan Law– Minneapolis Recreation Development

Katie Stagliano– Katie’s Krops

How did you know that you wanted to be a director?

Jesse Roesler: I was interested in high school. Then, I went to the University of Minnesota. Unfortunately, resources were scarce within the journalism department and in town I tried to get my hands on as many films as I could. I didn’t want to do TV necessarily but, more interested in character and content.  Filmmakers’ documentaries inspired me to create in Minneapolis and make short films. I’ve worked on several documentaries but some of my most notable films made are (2001) 23 minutes, (2010) Man and the Machine and my first feature (2014) “Starfish Throwers.”

JR: I had a real passion for the project “Starfish Throwers.”  This movement of helping humanity and philanthropy suggests a lesson from the poem “The Colossos”. It’s about the statue of Liberty and Ellis Island. More importantly, what they represent. Freedom from oppression and the act of kindness toward our fellow brother and sister. “Give me your tired, your hungry, your yearning masses to be free.” When I heard about what Allen Law was doing, I was immediately drawn to his acts of generosity. “Love One Another,” is his motto and what he lives by. He drives around his car and gives sandwiches to those in need. He also gives advice and support to those who seek it. I told him “I’d love to tell your story.” At first he was not interested, then, a year and a half went by. After he saw that I was genuinely interested in his cause and proved that he was inspiring others, he got on board. He started with sandwiches and then gradually grew support by gaining national sponsors. Allen believes that all the people have a common bond. Similar in many ways. And that “Food is love”. Khrishnan and Katie also became nationally recognized and internationally recognized by their accomplishments through giving. Khrishnan helps to clothe, groom, shelter, and feed the poor in his country and in the USA. “Akshaya is an Indian development foundation committed to helping the helpless, homeless, sick, elderly, mentally ill and destitute in Madurai, India by providing healthy food, care, and opportunity to rehabilitate in order to restore human dignity.” Katie, while in elementary school (9 years old at the time) founded “Katie’s Krops”. Now, she has helped create over 500 gardens in all 50 states. It started with one little school homework assignment. Katie says it is her mission “To end hunger”.

How long did it take to make the film?

JR: It took 3 1/2 years to make the film. All 3 philanthropists got media attention. Allen got attention locally handing out sandwhiches around town in the beginning, then word got out. CNN had covered these stories. Khrishnan’s exposure helped him overcome the obstacles of going against the caste system. Katie had gotten discovered through her gardens. When Katie won the Clinton award more recognition came in with grants and donations totaling up to $200, 000.

How was this project funded?

JR:Melody Gilbert was the producer. She was involved as my mentor and funding came as she applied for many different grants in Minnesota/ New York. The Jerome Foundation project gave money and we won the Minnesota State Arts award. We all were personally invested in this film. We looked at documentary work and creative agency funding. Finally, we added to the funding our Kickstarter campaign. We were lucky that we have the Film Transit New York and Montreal to help sponsor the project. We did this because were not able to find tradition broadcasting resources.

What type of recognition has “Starfish Throwers” received?

JR: Big recognition component. We are not doing a standard documentary. We don’t have the resources to do this. We have received good responses in Japan, Sweden, Switzerland and Israel.  People can sign-up and support the documentary and movement.  It’s an ever evolving theatrical world model. ICN and DOD. The independent world is constantly evolving. Theatre attendance for documentaries and grassroots online, grows if you get enough interest, the people will come.

How did you hear about the Midwest Independent film festival?

JR: Melody talked to the owner, Michael McNamara and he was excited about the project and very supportive.

Do you still keep in touch with philanthropists?

JR:Katie had her 16^th birthday and we connected then. She travels a lot and has been connecting/meeting with people at the film festivals. Minneapolis premier, she got to meet Mr. Allen. He is now cancer free and still out at night handing out sandwiches.  Khrishnan is volunteering in the USA and his home is full of 450 people that he is helping. We continue to keep contact with these amazing people. The wonderful thing is the bond that we have formed. Through this project we have met so many people, toughed so many lives. You are spending time with them. The process of discovery is phenomenal. Every section of the film is different, but they all connect in a powerful way. They are all serving humanity. We often keep in touch with Katie and Allen.

This has turned out to be more than I thought it would be. I’ve met some incredible people. They have posed an unsolvable question. What would you give to fight a battle you could never win? When you’re young despite the odds? What motivates them? I searched for people with very different backgrounds that stood out among the rest. This grew into something bigger than all of us. Something that embodies humanity. Your impact doesn’t end with your own actions, like these three people. “Pay it Forward” and the “Ripple Effect”. It’s not planned. It’s magical and has exceeded our expectations and has bigger than what I could have ever imagined. One thing about documentaries is that they are far-reaching. We have been to over 25 film festivals including USA, Europe and Asia. “Starfish Throwers” is taking on it’s own life and constantly evolving before our eyes.

The story of the Starfish Thrower (based on the story, the Starfish story by Loren Eiseley) is an old tale, but is a great lesson:

“In a pool of sand and silt a starfish had thrust its arms up stiffly and was holding its body away from the stifling mud.”It’s still alive,” I ventured. “Yes,” he said, and with a quick yet gentle movement he picked up the star and spun it over my head and far out into the sea. It sunk in a burst of spume, and the waters roared once more. …”There are not many who come this far,” I said, groping in a sudden embarrassment for words. “Do you collect?” “Only like this,” he said softly, gesturing amidst the wreckage of the shore. “And only for the living.” He stooped again, oblivious of my curiosity, and skipped another star neatly across the water. “The stars,” he said, “throw well. One can help them.” …”I do not collect,” I said uncomfortably, the wind beating at my garments. “Neither the living nor the dead. I gave it up a long time ago. Death is the only successful collector.”

”

—The Star Thrower, p. 172

Later, the narrator says:

…”On a point of land, I found the star thrower…I spoke once briefly. “I understand,” I said. “Call me another thrower.” Only then I allowed myself to think, He is not alone any longer. After us, there will be others…Perhaps far outward on the rim of space a genuine star was similarly seized and flung…For a moment, we cast on an infinite beach together beside an unknown hurler of suns… We had lost our way, I thought, but we had kept, some of us, the memory of the perfect circle of compassion from life to death and back to life again.” (The Star Thrower, p.181)

This story is very poignant. We are not alone in the world. All it takes is a connection and one person to make a difference. Because we are all connected in some way. When we help our brother or sister, we are helping all of humanity become a little bit better.

1.Global Health Competition Audience Award,2014 Cleveland International Film Festival

2. Human Spirit Award, 2014 Nashville Film Festival
3. Best Feature Documentary, MN-Made Program, 2014 Minneapolis St. Paul International Film Festival
4. Best Feature Documentary, Audience Award, 2014 Minneapolis St. Paul International Film Festival
5. Best Documentary, 2014 Myrtle Beach Film Festival
6. Best Overall Film, 2014 Myrtle Beach Film Festival
7. Big Cheese Award, 2014 Port Townsend Film Festival
8. Best Feature, 2014 Awareness Festival (Santa Monica, CA)
9. Most Uplifting Feature, 2014 Awareness Festival (Santa Monica, CA)
10. Best Feature Documentary, 2014 Washington West Film Festival
11. Best Documentary, 2014 Big Water Film Festival
12. Spirit of Activism Award, 2014 Wild & Scenic Film Festival

13.Starfish Throwers was also featured in Hot Docs.

For more information go to http://www.thestarfishthrowers.com/

article written by Okema “Seven” Gunn

Run All Night (2015) Review

The lessons of “Run All Night” remain quite poignant. A single moment in time can change a person’s life. Our lives can be fulfilled or empty and full of regret, all according to the choices and decisions that we have made. “The Grave Digger”, Jimmy Conlon (Liam Neeson), is all too familiar with dangerous predicaments, but this time his actions have finally caught up with him.  Within 16 hours, the characters in this story experience a range of emotions; ranging from laughter to tears. Our story begins in a flashback sequence, Jimmy Conlon narrating, remembering his regrets. He states that “sins of the father shall be visited by the son. No sin goes unpunished.”  How one lives will determine the ultimate consequences of the future. These universal truths are transcended into the lives of the characters purveying a gritty experience of realism.

Jimmy Conlon (Liam Neeson) and Shawn Maguire (Ed Harris) grew up together on the streets of Brooklyn in New York City. They both were heavily involved in criminal activities for several years and supposedly formed an unbreakable bond. Shawn says “We’ll cross the line together,” which means “We came in together, we’ll go out together.” As Shawn existed as an unscrupulous, conniving Irish Mob Boss, Jimmy acquired the role as his hired hit man.  Jimmy laments about his unforgettable nightmares, which only reflect his prior barbarous killings. He subdues his woes by becoming a drunkard. Over the years, he and his son, Michael (Joel Kinneman of RoboCop  2014), became estranged due to Jimmy’s poor choice of lifestyle. He tries to make amends with Michael before it is too late.

An arrogant and impetuous, Daniel Maguire (Boyd Holbrook) makes a deal with the Albanians for Heroin storage and accepts a substantial amount of money. To his dismay, his father rejects the deal, causing Danny to make hard-fast decisions on his own. Michael happens to be on scene when the Albanians come to retrieve their stash. Danny opts to eradicate all involved, even witnesses. Shawn Maguire convinces his son not to do anything rash, but Danny is stubbornly determined to finish what he started. Danny foolishly tries to kill Michael. Jimmy uses his seasoned, killer-instincts to protect his son. Weary and frustrated, Jimmy calls his long-time friend, Shawn to tell him that he has killed Danny.

As a vengeful father, Shawn, vows to exterminate Jimmy, his son Michael, and anyone who gets in the way. “An Eye for an eye, a tooth for a tooth” so to speak. Shawn states “I want you to suffer as I have. You have taken my son, now I will take yours… and then, you can you come back and die.”

Michael tells the police about the murder and is entrapped by them. As events unfold, everything is turned upside down, leaving both Michael and Jimmy Conlon as fugitives from the police, while simultaneously trying to avoid Shawn Maguire’s wrath. They encounter NYPD police as well as Maguire’s henchmen, who Jimmy knows entirely too well. Jimmy knows what he must do to save his son. Whatever it takes to stay alive. This forces them into a game of cat and mouse, leaving no choice but to “Run All Night”. Michael is confused about what he sees with his own eyes and what truths his father is trying to show and tell. All the while, Jimmy promises to make things right asking his son not to repeat his mistakes.

In addition, to the recent developments of mayhem, Shawn hires an assassin named Mr. Price (Common) to tie up any loose strings.  Price is a worthy, formidable and more than willing opponent for Jimmy- the “No holds barred killer”. This hellish eradicator proves to be relentless and will stop at nothing to execute both Michael and Shawn.

Liam Neeson’s character, Jimmy is ashamed and regrets the decisions that he has made, vowing to try to make things right again. Throughout, he trusts that son, Michael remains a trustworthy and honest man.  A man once loyalty to Shawn Maguire, Jimmy is clever and adroit, while interjecting witticisms in the face of danger. Neeson conveys a coolness and unsuspecting confidence, leaving one perplexed about the true nature of the character. At times he is sincere; at others he depicts a cold calculating murderer. Death surrounds him. Conlon teeters on the edge between visceral and deliberate. But his revelations finally come at his finest moments. He makes a genuine attempt to bond with son, Michael and protect the ones he loves, but there is a cost for his murderous life, an ultimate penalty he’s willing to pay.

“Run All Night” delivers an action-packed graphic account of the possibilities and consequences of criminal behavior. Certainly, if I were backed into a corner, found myself in a quandary with the authorities or barricaded (gunfight at the OK corral); Liam Neeson’s character might very-well be at the top of my list for 1^st line of defense. Director Jaume Collet-Serra teams up with Neeson once again, following their collaborations of the psychological thriller “Unknown” and  the mystery action thriller “Non-Stop. Writer Brad Ingslby jumps right in after writing “Out of the Furnace” starring Christian Bale, Casey Affleck, Woody Harrelson, Forest Whitaker, Willem Defoe, Sam Shepard, and Zoe Saldana. Cinematic close-up shots by Martin Rue, add to Jimmy’s character as he transitions back and forth between a stone-cold killer to loving father.  An aerial view of Danny Maguire’s pursuit of Michael Conlon gives the audience a wider perspective of insight and sense of dire urgency. Music by Junkie XL and sound effects enhances the tone; sustaining suspense throughout the film.

New York City was the perfect backdrop for this movie. “Run All Night” gives reverence to “Bullitt” (1968), the granddaddy of car chases by Steve McQueen and the “French Connection” (1971) chase with Gene Hackman.

One thing rings true….You can “Run All Night”, but alas when the morning comes….In the end it all comes down to what one would be willing to do.

Although this is similar to many action films and a bit lengthy; it held my attention and I liked the development of characters. I’d give this film 3 out of 5 stars.

Reviewed at AMC Cicero, March 13, 2015. Running time: 114 MIN.

 

Directed by Jaume Collet-Serra, Screenplay by Brad Ingelsby.

Warner Bros. release in association with Ratpac-Dune Entertainment of  Vertigo Entertainment production. Produced by Roy Lee, Brooklyn Weaver, Michael Tadross. Executive producers, Steven Mnuchin, Jaume Collet-Serra, John Powers Middleton.

Actors

Liam Neeson, Ed Harris, Joel Kinnaman, Boyd Holbrook, Bruce McGill, Genesis Rodriguez, Vincent D’Onofrio, Lois Smith, Common, Beau Knapp, Patricia Kalember, Daniel Stewart Sherman, James Martinez, Rasha Bukvic, Tony Naumovski, Lisa Branch, Holt McCallany, Aubrey Omari Joseph, Giulia Cicciari, Carrington Meyer.

 

 

87th Oscar Award Winner Predictions

         

 

OSCAR NIGHT Feb. 22, 2015 

Thank you to all my followers for your patience. Here are my Oscar picks for 2015.

I am casting my Oscar Ballot for the categories that I feel I am able to accurately  assess and critique. Enjoy!

Best Picture	Actor in A Leading Role
Boyhood	Eddie Redmayne-Theory of Everything
Actress in A Leading Role	Supporting Actor in a Leading Role
Julianne Moore-Still Alice	J.K. Simmons- Whiplash
Supporting Actress in A Leading Role	Cinematography
Patricia Arquette-Boyhood	Grand Budapest Hotel
Animated Feature Film	Directing
How to Train Your Dragon 2	Alejandro G. Iñárritu
Costume Design	Makeup and Hairstyling
Grand Budapest Hotel	Foxcatcher
Film Editing	Visual Effects
Boyhood	Interstellar
Production Design	Writing, Original Screenplay
Grand Budapest Hotel	Birdman
Writing, Adapted Screenplay	Music, Original Song
Whiplash	Glory-Selma

Review: The Wedding Ringer (2015)

 

Review: The Wedding Ringer (2015)

A friendless tax attorney, Doug Harris (Josh Gad) hires Kevin Hart (Jimmy Callahan) to assemble a believable “best man package” within 10 days. This package called a “Golden Tux” contains a full-fledged performance of the best man and seven groomsmen, leading all the way up to the wedding day.  Doug has invented his best man “Bic Mitchum” by looking through his medicine cabinet in the bathroom. Jimmy is hesitant to take this challenge because he has never done anything like it, especially in a brief amount of time. Jimmy calls on a few of his crazy cohorts to help him pull off the performance of a lifetime. Meanwhile, he questions why he ever started his company “The Best Man, Inc.” Even though some bonding takes place, Jimmy reminds Doug that the best man package is just a business deal of $50,000. When the deal is over, all ties are severed.

This film is a moderately funny movie with screenwriting efforts to be applauded.  Not a gut buster, but will leave you with some good laughs. “The Wedding Ringer” creates some great questions about marriage and friendship. I have deduced that the messages conveyed were “Be yourself and not settle” and “good friends are hard to find.” Nowadays, people are getting married for all types of reasons, and the divorce rate has sky-rocketed. This movie presents valuable queries about why people want to get married and possible consequences of a poor match. Also, making friends is easy, but maintaining them is even harder. The true bond of a friend is tested when the “rubber hits the road” or when they are “down and out”, what a person is willing to sacrifice about the truth.

Overall, I was intrigued by the idea of Kevin Hart’s character finding creative ways to produce the optimal a best man scenario by intertwining a web of lies. I can’t say that “The Wedding Ringer” is predictable and had resolve with the ending. I recommend seeing this film if you want a few laughs.

 

Viola Davis-SAG Best Actress in a Drama TV Series

Seven Says…..

Congrats to Viola Davis on her 2015 SAG-AFTRA award for playing the smart, sexy, sultry Annalise Keating on “How To Get Away with Murder”.

Selma: Summary and Review

By Okema “Seven” Gunn

“Selma” engenders a unique and empowering glimpse of wonderful storytelling about the events and details surrounding the Voting Act of 1965. This must see movie yields a more illuminating account of the marches on Selma and major players and contributors of history. This biopic film commences with a close-up of Dr. King (David Oyewolo) preparing for his 1964 Nobel Peace Prize Speech in Stockholm, while speaking intimately with wife Coretta (Carmen Ejogo). I can only imagine that writer Paul Webb wished to portray the humility of King by rendering his appearance vulnerable, familiar, and authentic among audiences, since King has often been canonized as an icon of the Civil Rights Movement. Other eye-opening beginning sequences include: the persistent denial of voting rights to activist Annie Lee Cooper (played by Oprah Winfrey), who fills out a form, which was repudiated. Even though she was abreast of political knowledge of her county, the registrar denies Annie’s application claiming that she can’t recite all 67 county judges. The next sequence depicts the 16th Street Baptist Church incident in Birmingham, Alabama, where African American children chatted briefly. Subsequently, 4 little girls are killed after a bomb explodes within the basement church. This particular event has been regarded as a major turning point for the Civil Rights Movement also contributing to the signing of the Civil Rights Act of 1964. The scenes convey great imagery creating a racially charged, transitional Jim Crow South as a backdrop; however, these particular opening scenes were not developed in real chronological order as the events in history unfolded.


“Selma” serves as a compelling chronicle, which magnifies long-standing tension, racial inequality, and brutality embedded within the fabric of the United States. While federal law decreed all men and women possessed the right to vote, local and state government prevented citizens from voting without any rebuttal or argument. How could a country that claimed that it was fighting for democracy, send black troops to be slaughtered in Vietnam, while back at home these same individuals were not respected as citizens nor were they honored for their valor? In 1964, civil liberties were still being denied, the same as they had been for generations.
Our story develops as Dr. King urges President Johnson (Tom Wilkinson) to uphold the enforcement of the Civil Rights Act of 1964, stating that blacks had still been refused the right to vote by de facto law (informal practices) and also physically violated/killed. He propositions Johnson to help pass legislation protecting blacks as they go to the polls to vote. Johnson acknowledges King’s request, but states that his hands are tied and that he has a lot on his plate like the Vietnam War. Johnson tells King that he has “bigger fish to fry” and asks him to be patient until the can get a handle on other national issues that take more precedent. Dr. King and other activists become irritated by Johnson’s lackadaisical concern to the Voting Rights issue. They begin planning for a strategic counter-response by garnering support from other advocates and civil rights groups.


King converses with SNCC (Student Non-Violent Coordinating Committee) exploring numerous non-violent actions and strategies for protests. The collaboration causes a rift among the young activists of SNCC, spearheaded by James Forman (Trai Byers) and John Lewis (Stephan James). Dr. King makes a trip to Selma with activists, Andrew Young (Andre Holland), Ralph Abernathy (Coleman Domingo), James Orange (Omar Dorsey), and Diane Nash (Tessa Thompson). The group meets to talk about plans with (DVCL) Dallas County Voters League, Rev. James Bevel(Common) and other civil rights activists from SCLC (Southern Christian Leadership Conference) including Hosea Williams(Wendell Pierce) and Amelia Boynton (Lorraine Toussaint). While signing into a hotel, one of the white male guests assaults King in the lobby. Johnson hears of the event and proceeds carefully, not wishing to make Dr. King more of a martyr for the movement than he already appears to be. President Johnson conferences with J. Edgar Hoover (Dylan Baker) about how to handle Dr. King. Hoover recommends a more strategic approach to trigger tension in the King household. Coretta receives disturbing phone calls and a tape that suggests that Dr. King has met with other women on his trips. She confronts him about her reservations about his fidelity. Later, he calls Mahalia Jackson (Ledisi Young) to pray and sing him a spiritual hymn to calm his anxiety.


During a gathering at Selma, black citizens assembled peaceably at the county courthouse. Protesters kneel down with their hands behind their heads. Annie assaults Sherriff Clark (Stan Houston) for beating down an elderly protester, Cager Lee (Henry G. Sanders). She is beaten down by police officers and thrown in jail along with other protesters with Dr. King. While in prison Coretta speaks to Amelia and is paid a visit by Malcolm X (Nigel Thatch), who offers her a source of support and comfort. Coretta speaks softly to her husband in jail, but he expresses his disdain for the likes of a militant Malcolm X, reminding Coretta that he called King an updated version of an “Uncle Tom”. After protesters are released, they participate in a night march. George Wallace (Tim Roth) and local officials planned an ambush of the protesters, police beating them and threw tear gas. During this night protest in Marion, Alabama, an unarmed protester, Jimmie Lee Jackson, the grandson of Cager Lee, (Keith Stanfield) dies in a restaurant after a state trooper shoots him in cold blood. Dr. King visits Cager Lee in the morgue offering continual support, furthermore, promising to continue what Jimmie Lee stood for.


King delivers a riveting speech, which addresses the deaths of John F. Kennedy and Malcolm X. He affirms that Jimmie Lee Jackson did not die in vain; that an unrelenting struggle would ensue until the voices of the people would be heard. Dr. King continues to get threats, especially pertaining to his children.
On March 7, 1965, Hosea Williams, Amelia Boynton, John Lewis and a few activists lead a peaceful protest march from Selma to Montgomery (approx. 600 people). Police tell marchers to turn back. They refuse. Tear gas is thrown and protesters are brutally beaten with police batons. The event becomes known throughout history as “Bloody Sunday”. The televised event swells into a National and International controversy. Gov. Wallace and Pres. Johnson become outraged trying to quell media frenzy and embarrassment. After this protest, King makes a call to white clergy sympathizers and other civil rights supporters to aid in the next march.


This second march on Selma, March 9, 1965, was known as “Turn Around Tuesday” lead by King. Protesters arrived at the Edmund Pettus Bridge unharmed. King decided not to continue a full march over the bridge, being cautious about the safety of protesters. He lead the group of 2500 back to the church, but was under scrutiny about the lack of action he took directly after the march. That night white protesters were beaten and one white minister from Boston, James Reeb, was murdered by two racist white men. The media is outraged and once again, the news of injustice has spread quickly.


Finally, In the case of Williams v. Wallace ( March 1965), Judge Frank Minis Johnson, Jr. grants the petition to the people to assemble freely, and orders Gov. George Wallace to permit the Selma to Montgomery march to take place, which was organized by the Southern Christian Leadership Conference (SCLC), (DCVL) and (SNCC). Black protestors crowd and picket near the gate at the White House. Johnson finally bolsters a strong front against Wallace while in a private meeting inquiring, “Oh. Why won’t you let the Niggers vote?” He realizes how inflexible Gov. Wallace has become. Johnson explained that he didn’t want to be on the wrong side of history. After wearing Wallace down with a barrage of talking points and opinions, known as the “The Treatment”, federal troops are allowed to come in to Alabama providing protestors protection for the third march from Selma to Montgomery. A few days, after the meeting with Gov. Wallace, on March 15, 1965, Pres. Johnson introduced a bill to a session in Congress. This bill turned into the Voting Rights Act of 1965. In the televised proposal of the Bill, Johnson states “The Negro cause must be our cause, too, because it is not just Negroes but really it is all of us who must overcome the crippling legacy of bigotry and injustice. And we shall overcome.” The third and final march takes place from, March 21 to March 25, starting from Selma and ending at the steps of the capitol building in Montgomery, Alabama.


In the final scenes, protestors come from all around to participate in the March from Selma to Montgomery without upheaval from authorities. A montage is shown of scenes from the film along with original pictures and footage from the original marches. Once King arrives at the steps of the capital of Montgomery, he delivers another unforgettable speech. “How long will it take (for justice to prevail)? How long? Not long.” In closing, there are also brief summaries of what happened to specific persons in the film that played a vital role in the movement. Final scenes and credits are overlayed with the Original Song “Glory”. Overall, the film sheds light on a vital time in the history of our country, by serving as a great reference point, and a critical lens for future generations to rely upon. 2015 marks the 50th anniversary of the Voting Act of 1965.
The star-studded cast of Selma includes, but limited to: Oprah Winfrey, Cuba Gooding Jr, David Oyewolo, Common, Niecy Nash, Wendell Pierce, Martin Sheen, Giovanni Ribisi, Tim Roth, Tom Wilkinson, and a host of others. Cinematographer Bradford Young captures the landscape beautifully as the marchers walk over the Edmund Pettus Bridge in all three events, specifically on the second march during “Bloody Sunday.”



Ava has to her directing credits “Kinyarwanda (2011), “The Middle of Nowhere “(2012), and “Scandal” TV Series Episodes (2013), and a few other shorts and documentaries. For Selma, she was the first African American woman director nominated for a Golden Globe and a Critics Choice Award. Ava Duvernay and David Oyewolo team up again for an extremely devoted endeavor for “Selma”. The two met in “The Middle of Nowhere” (2012). David’s credits also include the Rise of the Planet of the Apes (2011), Lincoln (2012), The Paperboy (2012), high praise for depicting character Louis Gaines in The Butler (2013), and Interstellar (2014). He was nominated for a Golden Globe, Critics Choice Award, Independent Spirit Award, NAACP Award, and countless others for Best Actor for 2014 for his role in “Selma”. It’s a shame that both DuVernay and Oyewolo were not nominated for 2015 Oscars. Thus far,“Glory” won for Best Original Song for the Golden Globes and the Critics’ Choice Movie Awards. “Selma” is also nominated for Best Picture and Best Original Song at the 87th Academy Awards. “Selma” is produced by Cloud Eight Films, Harpo Films, Plan B Entertainment and distributed by Paramount Pictures.

2015 List of Oscar Nominations

Seven Says……I’m so excited that they announced the Oscar Nominations! Looking forward to the “Road to the Oscars”. There are quite a few films to look at for critique and analysis. Good Luck to all of our nominees and congratulations to the great productions that did not make the list. YOU are winners too!

HERE is the link to the 2015 Oscar Nominees! (by Award Show News)

http://nominations2015.com/oscar-nominations-2015/

Seven Says

I scribbled something on a piece of paper today and shoved it into my pocket; then showed it to my co-worker….This is what it said. “I stopped writing for a while…consistently…and I ached all over. It almost darn near killed me. No can do again. It doesn’t matter now whether someone wants to steal my work….not meant for me to hide my light under a bushel, but shine my light before men…and women. It doesn’t matter whether I’m depressed or marooned on an island….I can’t let the words escape from me. I can write my name in the sand with a stick or write them with my finger on rolling clouds in the sky. My words disappear being whisked away by a slight gentle breeze. It’s who I am.  Dying would be not writing at all or never being able to write again. I’ve decided it. I’m sure of it….

Transformers: Age of Extinction (2014)

Transformers: Age of Extinction (2014)
viewed at 400 Theaters in Rogers Park on Sheridan

Director Michael Bay and producer Steven Spielberg return with a 4th installment of the science fiction action film, Transformers: Age of Extinction, based on the 1980’s cartoon. “Transformers…more than meets the eye.” This quote started it all. With each film, Hasbro engages audiences in bold 3 dimensional approaches making these blockbuster films, multimillion dollar successes at the box office.
In the 3rd installment “Darkside of the Moon”, Shia LeBouf, and Tyrese Gibson came back to Chicago and solidified themselves as pivotal characters. We connected with their characters and followed them through the series. Screenwriter Ehren Kruger decided to take a new perspective. This time around Paramonut Pictures added sexy eye candy veteran Mark Wahlberg and Academy Award nominated Stanley Tucci into the mix. This is far from the “Lovely Bones” dramatic thriller that we saw from them a few years ago.
Now, things are all-together different. Five years later, after the war with the Decepticons, Autobots are hunted down and killed by the CIA with the help of leader Harold Attinger (Kelsey Grammer). Optimus Prime summons the last surviving Autobots. They must once again stop the destruction of their race and our save our world. Bumblebee, Ratchet, Leadfoot, and Brains vow to help Optimus in his quest, regardless of the dishonorable treatment by the humans. Optimus calls for the original Transformers called Dinobots to assist him in his pursuit. A handful of rebel humans with the lead of Cade Yeager (Mark Wahlberg) aid the effort in keeping the Autobots from being destroyed and assist with finding the seed (a nuclear cyber-bomb).
A corporation called KCI decides to make Autobots out of a new element called transformium. While using Megatron’s brain, this corporation creates Galvatron and Stinger. While trying to control these newly created Decpticons, KCI Corporation soon discovers that they cannot control Galvatron, who is Magatron reincarnate. Havoc strikes as an attempt to capture Optimus Prime unfolds killing several innocent civilians and destroying cities along the way.
Transformers demonstrates stunning twisting, side-winding graphics and explosive, non-stop action-packed battle sequences that leaves the audience on the edge of their seats. Although, it becomes a bit overwhelming during the second hour; the plot and dialogue becoming dry, predictable, and cliche at times. By the end, I was looking at my cell phone thinking…. the movie should be over by now. While not one of best Transformer films I ‘ve seen and also lacking in plot development there is one expectation that is met by the end of the film. Michael Bay promises to entertain, putting forth a best effort to stimulate, creating an awakening of the both the auditory and visual senses.
For the past few years, Chicago has become a backdrop for these Transformer films bringing revenue, jobs, and cinematic attention to this growing Mecca, we call home. I was honored and fortunate to accompany, a visiting foreign friend to see the film, in which I gladly pointed out the historical landmark relevancies to the movie. The place where I viewed the film was in a nearby, quaint, renovated Rogers Park movie theater called The 400 Theaters. Local moviegoers from the neighborhood include but are not limited to; students and employees of Loyola University.

Overall, I would give this film 2 and half stars.

 

Lawrence Lee Wallace: 5 C’s of Entertainment

By Okema “Seven” Gunn

Cool. Clever. Creative. Collaborative. Class Act.     

In the 1990’s, Lawrence began modeling and acting. He decided to write because many of the ideas he had imagined, had not been portrayed in movies or television. Acting and writing were vehicles to create and an outlet for a teenager with a passion for the arts. Monologues and concepts grew into skits, plays, and then films. Hirsch High School had a huge impact on his beginnings. It was not a school for the arts, but it did have a drama program, which struggled to stay afloat. He enjoyed every minute of the program and soaked up everything he could learn like a little sponge. There, he got his first brush with fame by meeting Dick Gregory. At the time, Lawrence was writing/developing one act plays. Mr. Gregory read it and gave feedback saying, “Don’t Give Up.” This was music to his ears and just the inspiration that he needed.

First movies ever seen. George Lucas’s Star Wars. “A larger than life space epic, which became a history-making spectacular event that no one had ever seen or imagined could be set to screen. On a grand scale of proportions…dramatic and yet funny at the same time. A Sci-fi/ epic drama. The Wiz- Diana Ross, Michael Jackson, Nipsey Russell, Lena Horne and a host of other memorable black cast members. This was an amazing perspective on a classic story of a girl in a fantastical land. Amazing, beautiful, and creative,” adds Wallace enthusiastically.

Favorite Directors-Spike Lee, Martin Scorsese, Antoine Fuqua, F. Gary Gray, Steven Spielberg, John Singleton, Darren Aronofsky, James Cameron, and a list of others. Lawrence has been directing for 10 to 15 years and involved in directing film for 5 to 6 years. He directed two plays by Shywanee Manson called, ”Apology from One Sista to Another,” and ”My Sista I’m Sorry.” He enjoys theater for its sense of live action for the audience, but movies and television are his passion.

His first film involvement as an actor was in 1996, “Reasons” with Bernie Mac. Monty Ross(cousin to Spike Lee) directed this film (before Bernie Mac was famous). Lawrence would love to work with talent like Denzel Washington, Tom Cruise, Johnny Depp, and Halle Berry in the Sci-fi thriller genre. Wallace likes Sci-fi and horror the most, but his roots are in comedy and sci-fi. This is where it all began for him, doing skits and one act plays. “I love to write absurd, off-the-wall scenarios with a comedic flavor.” Wallace started winning awards for his 1990’s Urban Scenze on Stage, which turned into DVD Series Vol.1 Vol.2, with the help of Victory Multimedia-located in California (available on Borders and Netflix. 2004, 2007) Two of his most recent projects are starting to culminate a buzz: Night Thrasher:Rave and Chiraq.

Night Thrasher: Rave- “For Marvel, this is an initiative that were trying to promote; rolling out ethnic characters and proving them viable and successful as a series. We’re pushing it on youtube and want increased awareness of it. Eric Lane makes public appearances as “Night Thrasher,” a crime-fighting, ebony superhero. We want to exhibit “Night Thrasher” as a positive aspect of the community,” says Lawrence.

Chiraq the Series- One of his next major projects, written by Michael Dushon and Bill Pierce. “This is something that people will not expect. It’s about family, community, politics, and violence in society. In an urban environment there are also other dynamics that come in to play, like poverty, the underserved, the uneducated. This series will shed light on why the name “Chiraq” came about and why we need to be honest about what’s going on. There needs to be an accountability and responsibility by our aldermen, representatives, and our mayor. People will be attracted to Chiraq because they want to know the “real issues” about what’s going on in our community. Chiraq will invite audiences become “up close and personal” to what’s going on.

Finally, I would have to say overall I was thoroughly impressed by what this writer/director had to say in the interview. I was caught off-guard by his eloquent speaking and cool swagger. Lawrence has proven to be what I call the 5 C’s of entertainment. Cool. Clever. Creative. Collaborative. And Class Act.

Lawrence Lee Wallace Awards:
2004- American Black Film Festival (ABFF)-“Urban Scenze”
2009-Black Harvest Film Festival- “If you Love Me”
2010-Metropolitan Board Empowerment Award
2010-ShriekFest-Horror Film Festival- “Dark Hallways”
2011-Las Vegas International Film Festival Official Selection- Agin Muhammad’s “Letters from Prison”
2011-Park Forest Entertaining with Excellence Award
2012-Atlanta Film Festival-Official Selection-Agin Muhammad’s “A Man’s Gotta Do”
Artist Grant for the City of Chicago for “Web Series: Villains,” on youtube
2014-Wizard World: Comic-Con- Official Selection “Night Thrasher: Rave

Credits:
http://www.imdb.com/name/nm3007540/

Shywanee Manson: Born to Write

Shywanee L. Manson directs, writes, and produces. Accomplishments include: Spoken Word poetry and authoring of two books: “Apology from One Sista to Another” (2005) and “Forgive Me Not” (2013). The first play she wrote was “Apology from One Sista to Another”, the second “My Sista, I’m Sorry”, the third, “My Brotha I Apologize” and the 4th “When You Cry, I Cry.”

Upon winning a poetry contest in the 5th grade, she had an epiphany that writing would be her voice and mouth-piece on which to speak for others. At 10 years old, Shywanee knew that she was”born to write”. She acquired the opportunity to recite her poem, resulting in the audience breaking out in vigorous applause. Several years later, emerging as a Spoken Word artist, one of her most popular, well-received poems began with 2 pages and evolved into a 120 page novel.
She carries around a copy of S. E. Hinton’s “Outsiders” for inspiration. This timeless classic of innocence and youth is a book that’s been read by millions over the years. It gives clear, concise messages about family, society (prejudices), and the reality of dealing with consequences.

Shywanee is also fond of Steven King and Dean Koontz’s stories of horror and suspense. She’s been an active and faithful member of her book club for over 13 years. Authors like Terry McMillan, Sister Souljah, and J. California Cooper’s “In Search of Satisfaction” have influenced her writing in an immense way by demonstrating various facets of the history and psyche of the African American community. With a collaboration of accumulating books into an extensive library and garnering personal experiences, she has built a solid foundation and springboard on which to create intriguing plot and characters.

Ms. Manson states that ” Unforgettable stories should keep suspense. I love it when they make me laugh; I appreciate it when they make me cry.” These are stories that she holds in high regard. “Narratives should entertain, but draw you in by making a strong connection, capture emotion, then flow to and fro like the tide of the ocean. A straight read. Stories that makes you feel alive. Perceiving the created world with your eyes closed. Escape to another place. An out of body experience.”

Shywanee writes about a variety of real experiences that foster social awareness. “My Sista I’m Sorry”- The government stopped giving out HIV & AIDS education in the hood. People still needed to be educated and helped. Somebody dropped the ball. Our system is failing us. There was HIV testing after her play to help those who needed it. This was a dedication to an uncle who passed away from AIDS.
“When you Cry, I Cry-” “The media is there right after the killing takes place. They put down the Teddy Bear, candles and pictures, but after it’s over the families are still suffering. The Media just moves on. A house is not just a house. People are suffering inside. Nobody knows what these families have to endure. “How are you doing?” When You Cry, I Cry. Can’t they see what they are doing to these families to our community? Wake up! What about Hadiya? What about Treyvon? The families are still grieving. Sometimes they cry at night when the doors are closed and nobody is around. It’s somebody’s baby, daughter, brother, uncle, mother, or father. Think about the families you are destroying. Generations that are damaged. To the children that are doing these things: Why are you doing this? And where are your parents? You are putting families through a lifetime of pain. People need to see what is really happening behind closed doors.”

Shywanee is a voice for the fallen, broken, uneducated, and misunderstood. Who will help them? Our generations. She is sometimes called “Shywanee Playwright,” but should often be called “Mama Community”; a voice of reason, a nurturer, and a welcoming presence for the people. She wants healing for our society. Who will help the children and the families of the deceased? What about our role models? We need to get the message out.

A platform…she stands for social awareness and has her writing pen on the pulse of the community. Her heart is for the people. A progressive and visionary. She stands up for what is right and talks about issues that people need to hear and to know. She uses her gifts and talents as a beacon of light; making others aware of the ills of our society, and speaks on how we can make a better future for our youth.

Come enjoy the hit stage play “When You Cry, I Cry!” written by Shywanee L. Manson

Premiering Saturday August 23, 2014 at the Harold Washington Cultural Center on 47th and King Dr. A musical drama-comedy featuring Bern Nadette Stanis (Thelma from Good Times), Gary “Lil G” Jenkins (R&B group Silk), Gemini Porter (R&B group Men at Large) and Chicago’s very own, Brian Da Wildcat Smith. Commentary by Community Activist Andrew Holmes.

Two Shows: 4:00 p.m. and 8:00 p.m. – $35.00 – – Dont miss it. Buy your tickets, now at http://www.shyfoxproductions.com

ShyFox Productions | Welcome to my website ~ SHYWANEE “SHYFOX” MANSON
http://www.shyfoxproductions.com
Get your copy ofShywanee’s bestselling novel,Apology From One Sista’To Anothertoday for only $10.00 (For a Limited Time…

“When You Cry, I Cry” Theater Critique

 

by Okema “Seven” Gunn

Shywanee Manson creates an atmosphere where one has no choice, but to laugh and cry with the characters. The set design was simple without distracting from the pertinence of the play. Realism permeates throughout this tragic story, as Ms. Manson is well-known for her experience and research on socio-economic issues. She provides a unique story-telling approach which both engages and connects with  audiences. She’s a modern day griot! This musical dramedy was an awakening and awareness of the condition of our community. Manson often writes about pain and struggle in our society and what is to be done about it.

Although, there has been a fluctuation of the number of deaths….. gun violence and crime…still has not stopped. Until people have had enough; it won’t cease. The pain will continue. Recently, there has been protesting of a gun shop in the community in which guns have been identified in several violent crimes. This is one way, but not the only way. Each person must do their part. If you see something, say something. If you see that someone is doing wrong, talk to the person if plausible or report it to the authorities. These crimes are taking place because it’s being allowed. “Put the guns down and stop the violence.”

Ms. Manson addresses families in agony, evolution of the gangs, drug addiction, isolation, infidelity…..aspects of a damaged and broken society. When going through, Manson urges her characters to search deep within to find an answer to their struggles. Khadija-Freeman provides a stellar performance as a mother that has lost a son to gun violence.  Richard Reed, the father of the deceased teen, also gives a stunning portrayal of the roller-coaster-ride of emotions felt after the incident.

Brian “Wildcat” Smith gives a brief and animated, comedic monologue, not only bringing down the house with laughter, but highlighting the harsh realities of the day. He delivers a light, refreshing perspective on life, while interjecting humor and wit without all the vulgar obscenities and the profane. Smith was able to mesh well with characters and play a vital supporting role into the scenes at the bar.

Wonderful acting and singing by all actors, especially: Khadija-Freeman, Gary “Lil G” Jenkins, Edgar ”Gemini” Porter, Torraino Holmes, and Bess Mangram.  “Lil G” and “Gemini” from “Silk” and “Men at Large” had me singing along and reminiscing to songs from back in the day! These actors also gave a great supporting cast: Mr. Leslie, Corey Bailey, Tjuana Bothe, BernNadette Stanis, Michelle Shelton, Eric Bryant, and Sterling Manson.

Families of Hadiya Pendelton, Cortez Bailey and others attended, while reaching out to Ms. Manson, Khadija-Freeman, and staff to talk about the connection of emotion made during the performance (addressing the aftermath of events). They thanked the staff and crew personally for putting together the musical and working hard towards fighting against gun violence and crime in our society.

Speaker and Activist, Andrew Holmes spoke to the crowd. “God has a message here. There’s something special in store for this cast and crew. You have a chance to see what families are going through. It has transformed them, made them laugh and made them cry. Never underestimate the power of what can be solved by God.”

This well-constructed piece embodied a powerful spoken word that resonated throughout the audience. It forced me go back home, re-evaluate, and do some more soul searching about what I can do to further aid in helping our community. Search down deep for what you can hold onto. Make it positive and share your best self with others. If you don’t know how…. ask someone who can help you. Self-love, self-awareness, and development of identity are needed. You do what you know. Love one another and appreciate your community. Do you know how to love?

Call to Change. Make a war on ignorance, poverty, and violence. Everyone is trying to survive. The thing is… some people are better at it than others. It’s just a fact. If everyone did their part, the world would be a better place. I’m fighting my own battles with pain. But, I’m gonna do something about it! Create a change. Take ownership of the community and clean it up. Not just pumping in dollars. Making a difference in your mind, in your heart, and in your soul. Then take action and do something! Your life is valuable and so is mine. Still in chains… The war rages on! Let’s break these chains and fight the battle together. Won’t you help with the repair?  Sometimes when people hurt, they hurt others. That’s the reality, but it’s not the way. We need to build each other up and not tear each other down. Because “When You Cry, I Cry” too.

I will conclude by leaving you with a poignant quote from one of Shywanee Manson’s characters….They have been forged by a trial of fire and now become clean by a slow healing. Eventually, the parents of the deceased experience God’s tender mercies, pull together, and await a long, but righteous determination through the eyes of God….“I saw myself in you, and I thank God for you…because I felt free.”

*This play took place Aug 23, 2014 at the Harold Washington Cultural Center. For more information on

Shywanee Manson go to http://shyfoxproductions.com

 

Night Thrasher Goes to Comic Con (2014)

Night Thrasher: Rave Goes to Wizard World: Comic Con (2014)
By Okema“Seven”Gunn

THE STORY.
Who is Night Thrasher? He first appeared as a black Marvel comic book character in Thor Episode #411 in December of 1989 (created by Tom DeFalco and Ron Frenz). Night Thrasher (Dwayne Taylor) has no superhuman powers, but he’s got a plethora of sophisticated tech gadgets and military devices. Also, his training in martial arts is second to none. His parents were killed during his formative years, at the hand of an unknown villain. Dwayne witnessed the murders as a child and his recollection of the event was quite foggy. Subsequently, he created the Taylor Foundation and vowed to take on the streets of New York City; punishing all those engaging in criminal activity. During this process, he became Night Thrasher. While acting as a solo vigilante, Night Thrasher ascertained that there were others out there just like him. He united with a brother and sister team, who called themselves Silhouette and Midnight’s Fire. Their mission was to eliminate gang activity and clean up the streets, too. Night Thrasher required additional assistance, so he recruited more young soldiers, establishing his own team called “The New Warriors.” With the aid of Night Thrasher and the New Warriors, Thor was able to subjugate Juggernaut in battle. This is one of the many stories that may be unknown to many Marvel fans. Night Thrasher’s not a new character, he just hasn’t gotten the recognition he deserves as a champion of the people.

THE DIRECTOR/WRITER.
Lawrence Lee Wallace, the director of NightThrasher: Rave, fan film, elaborated in detail about his interest in making his short-film a reality. Lawrence spearheaded the project, taking on all costs accrued from pre to post production. He saved up his money for a year, appropriating from his paycheck every month to cover the costs of compensation to crew, cast, and distribution fees. Wallace is a big fan of sci-fi and comic books. He knew one day that studios would start making superhero movies; he just thought there would be more black characters featured in main roles; and not just as background or sidekicks. Somehow, he thought…… there must be other black superheroes out there, other than the ever popular “Blade” and “Nick Fury” characters. Night Thrasher qualifies as a bona fide superhero! “He’s strong, dynamic, mentally tough, and possesses great integrity….all the ingredients of real superhero,” declares Wallace emphatically. “Night Thrasher had a limited run…appearing as a guest character of Spiderman, Ironman, Thor, and the X-Men. Why hasn’t Hollywood taken notice?,” asks Wallace.

“We’re hoping the audience sees the story as we see it. Making Night Thrasher was just as challenging as any other film. We generated a great response to casting, but some obstacles were: finding talent to make the shots and coming to the South Side of Chicago (to film).” Wallace wanted to film in the community to make it authentic. “People were concerned to come to the South Side because of what they heard. Others even dropped out at the last minute. Never-the-less the project forged ahead, developing a diverse cast of actors and actresses. Eric Lane plays the ‘Night Thrasher” and team chosen did a fantastic job coming together.”

THE HYPE

Okay. I love Marvel comics, but I’m not a connoisseur like many. But, I do have my big brother to thank for my interest in superheroes. I believe Night Thrasher can be a great money maker, if you just put a little faith in him. So here’s the real issue. What’s really going on? Why hasn’t Hollywood done a Night Thrasher movie? He’s got his own team of soldiers and he’s fighting against evil. How cool is that? Did I miss something? C’mon Hollywood and Marvel….Wake up! Hey producers and influencers…if you’re out there, let’s make it happen! Create a buzzzzz. You can do it! I want to see Night Thrasher’s story come to life. Like Lawrence Lee Wallace says….”Feature film? or….Web Series?”
(I just heard that Black Panther and Captain Marvel could be coming to the silver screen……)

Night Thrasher is the Official selection at Wizard World: Chicago Comic Con playing from Aug 21st –Aug 24th. Special event takes place 4-5 pm on Aug 22nd film/Q&A with Lawrence Lee Wallace and Eric Lane. Places like this is where the magic happens. People take notice and deals are made. So I’m putting it out there. The legendary Stan Lee will be attending the Chicago Comic Con. On behalf of all the fans of Night Thrasher….. I therefore declare, Okema “Seven” Gunn, challenges, Stan Lee and Marvel Comics to put Night Thrasher to the big screen. HOW WILL THOU RESPOND? CHALLENGE! Grrrr!

Watch on YouTube, like Facebook.
https://www.youtube.com/watch?v=IRf9UAQdxPE
https://www.facebook.com/NightThrasherRave

Chicago Comic Con, Illinois Donald E. Stephens (Rosemont) Convention Center, Wizard World…www.wizardworld.com

 — with Seven Okema Gunn andLawrence Lee Wallace.

Shon McGregory

 

Intro:

I spoke with up-and-coming actor Shon McGregory late one evening. He’s a hard man to catch up with. He’s got his hands in everything, juggling projects effortlessly and executing with precision. Balancing acts are nothing new to this rising star. This gentle lion’s hard-working, young and courageous; a natural born leader. Unstoppable! One to watch. Shon says his main inspiration is his 5 year old daughter, which is his biggest fan and cheerleader.

Background:
McGregory had been acting, then stopped for few months. Working as an investment broker and financial advisor, he saw an advertisement for an appearance on a show called “Chicago Fire” in 2012. A spark re-ignited within him. He contacted the casting agent for the new prime-time show; then got the job. This project created greater opportunities. Shon didn’t know why he ever stopped living his dream; but wanted to go back and try again. This time he’d never look back. Shon allots his time by serving as a manager, talent scouting, sound engineering, camera operations, modeling, and theater/TV/film acting, which has always be a strong passion. “Knowing all aspects of the business, while fine-tuning your craft is key.” He’s made an overwhelmingly, powerful presence in front of the camera, on stage, and behind the scenes.

The Craft:
Shon’s goals include helping people with their own dreams. His mantra demonstrates supporting and encouraging those that need assistance in their careers. He pushes for voices to be heard in a loud, crowded jungle of artists and entertainers. Under his tutelage, clients are maturing and building a good name for themselves in the industry too; something that Shon can be proud of. He’s constantly improving, trekking forward into the world of entertainment with boldness and determination. Within 2-3 years, this budding star wishes to attain most of his goals; by thriving at the top of his industry, fully developing his company brand, and maintaining his acquired success.
Shon’s advice on life: “Never take “No” for an answer. Be determined to make it no matter what,” replied Mr. McGregory with passion. Amazingly, Shon never took acting classes. He’s a natural. Pointers that he shares with new actors: “ focus on cohesiveness and flow of body movements, while showing emotion with dialogue. That makes sense,” he comments.
Shon has appeared in Love Jones, Family Thing, and To Sir with Love 2 (with Sidney Portier). More prevalent roles include, but not limited to: Bachelor’s Grove, Crisis, Family Values, Mind Games, Midnight in the Heart of Mancreet, and Bravo 1. In total, he’s done 17 films, and 8 commercials with 5 more films on the way.
Favorite actors/actresses: Will Smith, Samuel L. Jackson, Denzel Washington, Angela Bassett and others. Most of all, he loves Tyler Perry and Sylvester Stallone for their rags to riches story; both living poor and penniless. They had vision, and foresight; dreaming about making it in Hollywood and never giving up.
Favorite genres are: Action, Suspense, and Horror. He loves to play the antagonist because people always say that he’s “Mr. Nice Guy.” “It’s refreshing to be the bad guy sometimes”, says McGregory. Horror is his favorite, with examples like Nightmare on Elm Street and Friday the 13th. He likes roles that are unusual that bring an edgy, creative side to the table. Shon confessed he might act in a Drama/Romance if a great script/character caught his attention.

The Motto:

On the way to our interview, I made a prediction. And it came true. I asked this Lion Heart if he had a code of ethics. (It’s all about 3 little words.) Shon replied, “Honor, Loyalty, Respect.” These words go a long way in this business. Shon is making substantial waves in the industry, demanding nothing but the best. He’s a hard-working, young go-getter, who is steadily climbing his way upwards, pushing boundaries and not afraid to ruffle any feathers.

It only took Shon 13 months to gain SAG accreditation. For many people it takes 2-4 years. He’s growing by leaps and bounds. Already, this young man has been triumphant at a challenging task; soaring high above the rest.

I was most impressed with his combination of tenacity, compassion, and kindness. He sees the potential in people and guides them with purpose. He is a natural-born leader. As he goes, he carries people with him on the way, like a Good Samaritan with a heart of gold; always remembering to lend a helping hand to a struggling actor or just a friend that needs advice.

When I witnessed him on set, people were looking to him for guidance and leadership even though he was not assigned that role. People gravitate towards him without saying a word. Shon tells people “You don’t’ have to be like me. Be your own person. Man or Woman. Be you! Be confident and people will see you and take notice!”

He’s soft-spoken, but don’t let that fool you! His competitive and ferocious nature comes to life while he’s in action. Wherever Shon goes, he rises to the top without question. He stands out in the forefront. His magnetic personality and impeccable work ethic makes him lucrative and invaluable, whether on set, on stage, or just preparing and planning for events. He is quiet and yet resilient at his craft. In the entertainment industry, Shon is like a soldier quickly ascending among the ranks; gathering his stars and stripes on the way up. He forges ahead, leading other actors, actresses, and models on his conquest. He’s creating his own blueprint of success to go by.

That same evening after our interview, I looked up; and like a shooting star on fire, blazing across a night sky, Shon’s dreams are being realized; because, he is determined to make them come true. He has a bright future in the entertainment industry and……… nothing is going to stand in his way.